ULYSSES JOURNEYS FOR LIVE ELECTRONICS COMPOSING VOL 1.

Workshop by the Studio Tallinn 1965, Erica Synth and ensemble EMA, ECCM (Estonian Center of Contemporary Music) 
In Riga, Erica Synths

Live electronics has become an essential tool for music making for (not only) the younger generation of musicians worldwide. It has contributed to democratization of music making, allowing people with no classic education of interpreters or composing to stages in various genres. !It has also contributed a lot to the group of "hybrid" performer/composer to emerge both on the underground experimental and also "classical" contemporary music scene. Yet in the contemporary music scene composing for performers with live electronics especially for live electronic ensembles is still not very widely spread among classically educated composers. It is mainly due to a certain conservative mindset in some conservatories but mainly also because of a lack of qualified teachers in the field yet of good knowledge-base and experience in both working with live electronic compositions and performance practice. The workshop led by EMA in partnership with Erica Synths is designed for composers who want to dive into composing for live electronics ensemble, encouraging composers with no previous experience on the field as well as the ones with some experience to join.

“Tallinn 1965” is an open experimental, multifunctional analog music studio. Alongside modern phonics, analog devices from decades ago are also put to work for recording sounds (professional old-time studio tape recorders) as well as creating music (classical oscillators, filters, echo machines). We approach music through the concrete artifacts and technological layers that range from hardware to software processes that have been part of the circulation of time and memory that condition the knowledge, but also the perceptions, and the sensations.

Acclaimed ensemble EMA (Estonian Electronic Music Society's Ensemble) was founded in 2017 and currently consists of 5 musicians with different classical education backgrounds (composition, different interpretation studies) as well as with backgrounds from various experimental music scenes. Ensemble has been active performing and composing live electronic works and has lead several workshops addressing related problems including: notation for electronic music, technical setups, sound synthesis, etc. www.emamusic.ee

Topics of the workshop

-Live electronic instrument. What is it? How to define it, how to classify?
-Sound design as one of the key issues of working with electronics. Challenges of how to find a common ground between composer and performer in composing for "unknown" nonstandardized instrumentarium
- Different notation options for compositions with live electronic performance
-Technical obstacles working with electronic setups. Mapping possibilities, challenges
- Syncing performers in real time. Options of different metronomes, Vclick app

Schedule
March 22
Session 1. 16.00 - 19.00
Introduction, -Live electronic instrument. What is it? How to define it, how to classify Particularities of different performance devices?
Sound design as one of the key issues of working with electronics. Challenges of how to find a common ground between composer and performer in composing for "unknown" nonstandardized instrumentarium.
Session 2. 10.00 - 13.00
Continuation of previous session topics, Different notation options for compositions with live electronic performance.
Session 3. 15.00 - 18.00
Technical obstacles working with electronic setups. Mapping possibilities, challenges. Syncing performers in real time. Options of different metronomes, Vclick app
March 24
Session 4. 10.00 - 13.00
Analyzing scores, conclusions, brainstorming roundtable

ULYSSES JOURNEYS FOR LIVE ELECTRONICS COMPOSING VOL 2.

Workshop will take place from May 8-10 2026 in ECCM Tallinn at Studio Tallinn 1965.
This workshop is a hands-on laboratory with EMA (Estonian Electronic Music Society Ensemble) for development of material brought by participants. 6 participants are chosen with an open call. The participants present their preliminary ideas, sketches, conceptions to address questions of conception, sound design and instrumentation.
The call is open March 25 to April 8.2026.