Calendar

Members of IEMA-Ensemble, conductors and composers work intensively on a diverse programme that includes two world premieres.

Yen Chun Lin and Gediminas Žygus continue development of their project Sea Shell Spiral Scry, a long-duration, site-specific multimedia installation responding to the emotional and psychological condition of tunnels.

The Hague-based sextet Ear to the Earth Ensemble present their programme Verwilderd , based on the idea of ‘rewilding’: reintroducing wilderness and letting nature take its course again in areas

At Gaudeamus Festival 2025, K!ART performs two pieces by nominees for the Gaudeamus Award: Matthew Grouse and Yaz Lancaster.

Divertimento’s Orchestra Conducting Course retraces the strategies used in the preparation of a public concert.

Ultima presents a three-day course in Oslo focused on sound practices grounded in sustainable and environmentally-conscious perspectives.

The ULYSSES Platform supports emerging ensemble SMASH.duo in two concerts at Gaudeamus 2025, once with Yaz Lancaster and once with their own stereotype-breaking programme.

During Ultima 2025, a temporary music pavilion will be installed at Tigerplassen, serving as a gathering point for listening experiences, encounters, and musical surprises.

Alexander Khubeev, winner of the Gaudeamus Award 2015, 'voices’ Brodsky’s poem about censorship, a pandemic and activism in a co-commission from ULYSSES Platform members Gaudeamus and Ultima.

Islands of Change confronts the polycrisis – planetary collapse, genocide, war, tech-fascism, and growing authoritarianism – that increasingly leaves us at a loss in the face of the challenges it presents.

DRAGONBLOOD is a genre-bending, interdisciplinary festival in a game-inspired fantasy realm, where dragons, fairies, magicians and guest artists from around the world guide you on an immersive emotional quest.

This time, the academy and associated festival are all about money: “MONEY DOUGH”!